• Nicky Hirst
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  • Instagram: nickyhirst63
  • Instagram: nickyhirst_elementalworks
  • Instagram: electionartist2019
  • Instagram: Artist Support Pledge
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  • MUTE | Ubicua
  • New Union Wharf | Unto The Sea
  • Domobaal | The Electorate
  • Election Artist 2019
  • Election Artist 2019 | Anagram Poems
  • Fieldwork | Groundwork
  • MOCA London | Web Exhibition
  • WPBC + Dolphin Living
  • Nuffield Department of Medicine
  • Great Ormond Street Hospital
  • Y Bwthyn | Macmillan
  • ALGORITHMS
  • Venice Agendas 19
  • The Eye Sees | White Roses
  • Domobaal | Elemental Works
  • Recreational Grounds II
  • Casement | Lost for Words
  • m2 Gallery | Briar Rose + Belle
  • All the Belles
  • Edgework I Traces
  • Something and Nothing
  • Oxfordshire County Library
  • Merzbarn | Humble As Hell
  • Domobaal | Real Size
  • Nicky Hirst | Real Size Text
  • AMP | Invisible Mending
  • YSP | Occasional Geometries
  • MACC | Ascent
  • Vista Residential
  • The Panda Made Me Do It
  • Some Cats Are Better Than Others
  • Kingfisher Court
  • Kingfisher Court Book
  • Vigo | Grid
  • Bulgari Hotel | A to Z
  • Passmores School
  • Royal Veterinary College
  • RAMM
  • Pharmacy Guys Hospital
  • Bracknell College
  • Wild Blue Yonder PDF
  • RA Schools Gallery | Morphology
  • Biochemistry Oxford
  • Clifford Chance
  •  
  • Studio
  • Collage for Sculpture
  • Placards & Signs
  • Tenderfoot | Tell it Slant
  • it is something | it is nothing | book
  • Print Editions Gallery
  • Edgework | Prints
  • PJoys | Pyjamas

 

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Refuse 2018 acrylic, metal, vinyl and wood Recreational Grounds II, Wendover House Ground Floor Car Park, London

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Lament 2018 painted wood Recreational Grounds II, Wendover House Ground Floor Car Park, London

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Flock 2018 fabric, vinyl and wood Recreational Grounds II, Wendover House Ground Floor Car Park, London

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18B25 2018 metal, paint and string Recreational Grounds II, Wendover House Ground Floor Car Park, London

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‘These objects all originally had a purpose. They supported, held and contained. Redundant then discarded and found on south London streets the materials are re-presented here as a comment on their environment. Now reconfigured, they respond to it. The works allude to familial groups, home, protest, property and ambiguity. This is perhaps their last hurrah.’ Nicky Hirst

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18B25 2018 + Refuse 2018 studio detail